Hello ladies and gentlemen.
I think there are many music lovers who like to talk in music, favorite genres and so on, but I want to talk about the back of the musical industry.
The purpose of the blog is to find out that ordinary listeners know about the musical industry and musical piracy, and indeed to enlighten people who know nothing or know, but few.
Those who believe that they are well versed in the musical industry or who are simply lazy and is not interesting to read about it, they can write/do not write their thoughts on this subject at once, and those who are interested in all this can read about all this below.
Everyone knows that almost everything is sold and the music is no exception. Once upon a time, music was sold at Vinyl (which is now being done to happiness), on the cassettes, CD. Now it is sold in digital format, which the rest of the entertainment industry – cinema and games strive for. During Vinil, piracy was very expensive and not profitable in terms of sale, so it was a matter of enthusiasts, as they say for himself.
Vinyl’s official issue was also worth a lot of money, t.To. Sale was on an industrial scale. This was done by special firms-labels that produced music, paid artists, factories for the production of gram-plastes, sound engineers, and t.D. At that time, there was no alternative carrier (Correct if it is not). Not everyone could afford it, so there were not many labels and this business was more or less profitable.
Then cassettes appeared, and later CD. The only thing I know is the CD of the most pirate medium from the mid-90s to the beginning, if not the middle, 00 (at least in Russia). Licensed products from official distributors were expensive, so most bought pirate disks with low quality for low prices.
The era of the Internet has come.
Time of electronic distribution and online stores. At the moment is the most profitable way to sell music. All you need to buy is to register on the store’s website, have a bank card and money and wu-a la-you have access to the new music industry, regardless of the genre. Many shops and prices for every taste and wallet, I don’t want to choose.
But someone sorry for their money (And not large) and they download music for free, and someone decided to make money on this and began to spread music on various pirate resources and get into this. How pirates profit on free download can be read here.
Who suffers from this?
The very first one who suffers from this piracy – of course the musician. All he receives by spending a bunch time, strength, nerves And, just as possible, money – This is at least nothing (Here I exaggerated, there are still decent people and DJs, mainly in Europe who buy music and labels pay part of this money to artists, because they have it at the level of the law). The maximum is on such sites, which were mentioned in the exile above, his work will also be overwhelmed, without imagining what kind of work it is, as a result of which the artist either scores on creativity or tries to do something. The main only income of the musician is tour (I’m not talking about world -class stars), Therefore, you can understand what pennies are paid (I think that small groups that managed to perform somewhere will understand).
The second injured person – Leibe. People who produce music paying money to sales artists, distributors for distribution and so on. Without money, they will be able to release music and come to bankruptcy.
Third party – distributors. It is dyast that is engaged in the manufacture of CD and vinyl, and this is how not cheap. Therefore, lovers of thermal cryst of vinyl or CD players, sometimes, are losing pleasure from the branded operation of the plant and they have to record music on the blanks. What the fourth person follows-respectable consumers-because of piracy they even prohibit buying digital music in certain countries (Yes, I’m talking about Russia) that it may not saddle.
How to deal with it?
Yes, not how. The human mind has not yet come up with an effective struggle against pirates. The most ideal option is to give everything free. Many are doing this, giving their work to people for free of charge (What was also said in the link above). This situation is also observed in the game industry, but not on a scale as in music. Someone is counting on the Donat-systems-I liked it? pay as much as you want, if you want of course. Basically, everyone is counting on the conscience of customers.
What about ordinary listeners?
In Europe, people make decently to afford to spend $ 100 per month
to music, but in the CIS countries this is not observed, so they are a stronghold of piracy as such. But do not give the last money to the music, because I want to eat. Therefore, piracy is simply necessary for cultural survival. Or degradation.
Piracy in music is good or bad?
You can write your thoughts about this.
The best comments
The faster you will understand that in your case piracy is very good for you, the faster you will become more experienced in this matter.
Well, the first thing to say is not in vain you raised such a scrupulous question as the fact that it indicates (and you don’t need to go) that you are trying to write music. Accordingly, he himself would like to earn on this music.
Here people have, with washed brains that “piracy is bad” or just having an opinion, but those who do not have experience can break a template and an approximately the following question arises: “What a heresy you are carrying here, saying that piracy is good in my case. Dissatisfied with the Smail: "". Nevertheless, this is so simply explained and clarified.
This is not true, if https://virgingames-casino.uk only because the musician initially enjoys the process of the game of the work, if you write electronic music, dude, you are rather a composer. But all these are conventions, anyway you enjoy the jams, from the essay, and not from the abstract amount of money, which is not your. (more on this below).
Fighting piracy at this time is like turning to the wind and walking a small one is unpleasant, pointless and requires more investments.
So, if you dispel all myths around the musical industry and clarify the principles of its work, you may understand that no one has fallen besides the musician and user of the industry, well, except of course the distributor, but more on that later.
So the first thing that usually happens is done on real experience (thank God you), you are looking for a producer, you conclude with them papers to transfer IP objects (intellectual property). If the producer is a good person (read if you won a million in the lottery), then in the future you will not have anal dependence on the label on which you will write. But again, in this country, it is unrealistic to achieve in this country, and in other countries this is the norm. In other words, you will not be considered the owner of the products that will be made under your name, you will be deductions, it is even possible giant if you shoot well as a “project”. Radio, TV, other garbage – this is all the money. But you will never own your IP (intellectual property) completely, on such conditions no one just needs you.
In other words, you fuck … you are tormented, you do, and then you are launched and have money from you. It’s good that you have money too. There are cases when you have you soon, but you have no money. In general, a thin cuisine is if you decided to follow Oldskul and look for a producer and a label, get ready for anal pain – she is waiting for you and it will not be delivered to you, far from it.
By the way, such garbage suddenly occurs in the gaming industries, especially those who are especially interested can read the article on Habri regarding negotiations with the publishing house. The same faces, only in profile.
Well, how piracy will help me in this case, you can ask a question?
– Oh, no way, you will not have money anyway thanks to him, and the pirates also dislikely Denzh. The only factor that piracy can guarantee you is the distribution among people, and this is already something, especially if you werehed down a cool album, song, track (not important). It is clear that you want to eat that you want you to pay money for your work that they listen. There are options for people who are really musicians, not composers-play concerts, play clubs, play on the warmings, be a splinter in the pope, the main thing is to get somewhere and make more noise to talk about you and go to you (this is an old formula, I recommend watching a movie, documentary, very interesting). If you are a DJ – clubs, parties, vanilla and other horseradish.
If you are a composer, then I advise you not to write just vanilla music, that is, just from yourself to the people. Look for interested people, find the teams that need a musical background, the gaming industry for this is very good. Again, interested in the article on Kotaku with Danny Baranowsky (this is the dude that made music with The Binding of Isaac and SMB, by the way, I bought them, and not even once, but this is a trifle) ..
A few words. All these laws of SOPA, PIPA, other Herota are distered RIAA, Miaa, which include the dofiga of companies known, for example, Sony Records, Universal Music Group and T.D. Read generally Wikipedia in composition. Do you think they produce music that you love to listen to in your favorite player? No matter how, they are just intermediaries between you and the musicians, they are interested in making pirates at all. The musicians do not care, the wider the audience knows about them, the more crowds on the festes, the more the option that someone will buy a nyastic new CD and put on a shelf.
RIAA, MIAA – dinosaurs that cling to the old business model that is no longer effective and we do not need a consumer and again I say SOPA, PIPA bill with significant support of these associations.
The lack of piracy is death primarily for the musician, and the sound recordings will somehow get out, believe me.
This post does not affect such directions as commercial POP and other components (not only POP). There, the musician is primarily worth making a dough, and not emm, I don’t even know how to say, to rejoice at his work.
I’ll add from myself, I would also like to release the album that people would listen to, and if they liked it, then I would like to release the second. But the last thing I will do is go to the producer, produced and sold into anal slavery to the publisher;). Well, this is most likely because:
28.Fasten for normal work. Remember, a real trash will not make you rich!
Well, I got a job: D, although of course I am not a tracher, but this does not change the essence.
In general, I sacredly believe that you will change your mind, in any case, you will try to think critically and think, it’s not just me so … I spent half an hour crucifying before you on this topic, it means at least something is in this. If not, then no – I’m not going to persuade anyone, everyone has their own path with their underwater stone.
A person who has a feasting game is a heretic who must be burned over low heat, for he inhibits the development of the industry.
A person who is piercing music \ cinema \ books \ software – yes, no, norms, they themselves will get out.
The copyright holders of the songs are not always the performers themselves, often the money is not at all those who came up with the songs, it is those that you pay, a chain of earnings in principle and cannot be simple … The industry is certainly feverish in full, and all this is because of the Internet, baby. It is not very important about earnings of performers that the performers are not very important – millions are repulsed from the Grand’s concerts today, but these are mainly those who started playing long before the digital era. But young musicians cause concerns, yet they begin in the conditions where the record in the studio has lost its meaning, where you need to play in clubs in the halls, and the album is done only for the sake of promotion and business cards. This is reflected in creativity, people may not write what they could write, because the value of music has fallen in every sense. It seems to be listened to no less than before, but the availability also acts destructively, the subspecies of musical “masturbation” through the Internet, when the musicians are written on the camera for YouTube, and do not go to look for a group, or gather their group … Do not think that this will not affect the future, although you can, of course, be born in your world good -good /name of the genre /, here to whom whatever is what what is what. Or if there are people who are happy with everything.
Yes, somehow the poher, the bulk of the money flows from concerts, so many give albums to download even from office sites, for example, popular now 25-17 ..
Any piracy is bad, I think it’s obvious. Another thing is that it is simply impossible to understand whether you like this music or not without listening to it completely several times. And the suffering dystbuters (Posk-Posk: ‘-() usually do not allow to listen to the track completely (so that the cunning guys from the browser do not download) and it is almost impossible to compose a complete idea of the track. And album reviews are not a way out. This is not a game where you can lay out a description of the elements of the game and emotions on the shelves so that the reader makes his opinion. In music, subjectivity is much more pronounced and, in my opinion, it is impossible to describe it with words. In addition, I have tracks in my collection, which are unlikely to write a review on and even more so, this music came across to me and I don’t even know its name. Thanks to the piracy for this.
This is actually my opinion about piracy. But the author’s article itself is vinylophilia and licensing. No, I bought music on the Internet through *?#paypal. But I would have bought it if not for what I wrote above.
As one smart person has already written: any topic about piracy beaten, enchanting green moss coatings.
I advise the author to watch the 7 season episode 7 Saus Park, there Parker and Stone explained everything for me, I’ll only add that most of the adequate singers stopped engaging in a useless struggle with pirates, created their own accounts on YouTube, realizing that let them listen to them better on the Internet, which they did not listen to them at all.
In general, you need to fight piracy in the first place in those countries where people get solid salaries pull music from the Internet, and not with us where most people are worried about how to feed their family, and not about the fact that because of his jump in the film/music, some overseas uncle will not be able to buy a 10-story mansion in Malibu or Golden Toilet.
Music is extremely rarely a finished work in itself. Most often she complements the film, game, etc. Well, of course, I’m not a meloman and probably don’t understand something)
And by the way I didn’t see that they would sell songs on the Internet, in this case, I would buy, I just see no reason to buy an album if I like it 1 well, maximum 2 songs.
If the artist only spins, he will only be glad, as I already said, let you better at least listen to at least for a freebie.Especially if his clips on YouTube gain a solid number of views by the producers themselves will call him.
In principle, Parker and Stone expressed this, in principle, modern musicians forgot that they work primarily for their fans and for the sake of art and should first worry about the level of their works, and not about the fact that some schoolboy downloads their song from torrents.If the music is good to buy it.
Yes, I’m even joyful, because all pop-ups like silver, Bieber, our pop scene (all these half-boomes, half-zombies singing for 20-30 years, who are not thrown out by the fuck) and other individuals stupidly earned from this and suffer from this … And smaller ones (very often part-time and the most talented) do not chase the public (that is, they do not change the style, or vice versa, or vice versa, or vice versa. they are exposed) and do what they love, simultaneously receiving income from concerts and the opportunity to receive income with a thousand hamsters can play greed with them, as a result we get a departure to pop music … Of course it will be great if the artist does not need to wander around concerts, and write music instead.But again, I don’t think that it will be, and it is not worth it … And the groups, singers just starting their way without this pirates, should be properly propped (through all sorts of flash drives and blueters) ..
Pre-liability is either 30-type as I wrote, either in a horseradish quality in which music itself cannot like it, or in the average quality suitable for listening and evaluating music, but at the same time if a person is not an audiophile, then he may have enough such quality.
But to believe that by listening / downloading the track will buy him extremely naive. For example, I bought a track that could not be found in any way in a net except as buying.
Regarding PayPal, I once ran into an inadequate when binding a virtual bank card. I stuck her. This dollar was removed from her, but the site wrote that I have 0. The most PPC that I perfectly bought what I needed, but then I found that I had gone somewhere else 3 bucks. In the technical support on the site there was any granny such as the fight against prayers and obvious tips. There were no forms with a written appeal, but technical support in English. And the site has a badly design. But this gru was stubbornly freezing me mail.
Yes, they do not beat anyone at all, t.To. Beginners and stable live quite well for concerts, and beginners (the quality of them, no matter how hard you will have an over 9000, do not have enough practice) all the same, at the stages of promotion, there will be nothing to sell, and then there will be concerts.So all that is given by anti -pertress is even larger amounts of money in the pop industry and the opportunity to oppress the leaders on the shelves of stores of the talents (when the discs were sold, we swam, they didn’t need it more), that’s all … I’ll explain all … like this (low -trip) ..
So they can afford it, or it is such a PR ridge to attract attention, for example in support of the tour.
Not quite so.
If this is RIP, then the files will be compressed to the quality of quality or have any artifacts. But it was 5-10 years ago.
Cassettes yes, I don’t remember this. Then it was not for the music.
But in my opinion, cassettes ropked for a long time, for somewhere a few days. Or not?